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All Insights Articles

  • The Long—Really Long—Buildup‌

    More than 30 years ago, Jeffrey Rudolph ’78 developed a master plan to build the California Science Center into a center of science, learning, and discovery. He’s still working away on it.

    The California Science Center under construction, with a space shuttle visible
  • Selling Art in an Age of Disruption‌‌

    Ariel Hudes ’18 is vice president for strategic projects and operations at Pace Gallery and the head of Pace Verso, which helps the gallery’s artists incorporate technology into their work. We talked to her about the evolving business of art and how artists are using AI tools to execute projects that wouldn’t otherwise be possible. ‌

    Prints from Maya Lin’s Ghost Forest Seedlings series
  • Creating the Bilbao Effect

    The startling success of the Guggenheim Bilbao, which launched in 1997, spawned a new term: “the Bilbao Effect,” as shorthand for the impact a cultural institution can have on the surrounding city. Thomas Krens ’84, Gail Harrity ’82, and others who were present at the inception look back on how industry, marketing, government, art, and architecture came together to make history.

    The Guggenheim Museum in Bilbao, Spain, under construction
  • Video: Making the Music Happen

    Sam Linden ’19 describes how he built the skills for a career at the intersection of business and the arts.

    Sam Linden working on a computer in a dark theater
  • Museum and Community: Constructing Change

    Under the leadership of executive director Zoe Kahr ’06, the Memphis Art Museum is moving into a striking new building under a new name, aiming to use art to help catalyze economic growth and civic energy in the city’s downtown.

    Visitor at the Memphis Brooks Museum of Art
  • Beauty, Power, Art, and Finance‌

    Art, money, and power twist together in complex ways, in a dynamic that may be older than humans. In his research, Yale SOM’s William Goetzmann traces the social meaning of art and money and the ways they set pecking orders, create art superstars, and blow up into senseless bubbles.‌

    The auction of Leonardo da Vinci’s Salvator Mundi at Christie’s in 1997.
  • Museum and Community: Building on What’s Beloved 

    Generations of kids have grown up at Durham’s Museum of Life and Science. CEO Carrie Heinonen ’97 is working to expand the museum’s reach by connecting with underserved communities and positioning the institution as a starting point for the region’s STEM workforce pipeline.

    Earth Moves exhibit at the Museum of Life and Science, Durham
  • Museum and Community: Connecting with a Diverse City

    The Museum of Fine Arts, Houston is one of the largest museums in the United States; it is also a local institution in the second-most-diverse large city in the country. Bradley Bailey ’10, the museum’s curator of Asian art, explains how the museum collaborates with immigrant communities to expand the understanding of Asian art.

    A sculpture hanging in the Museom of Fine Arts, Houston
  • Can Mark Zuckerberg Spend His Way to AI Success?

    Meta has lured a string of top researchers from rivals with nine-figure pay packages in an effort to close the gap with AI leaders like OpenAI, Anthropic, and Google. But splashy hires rarely end up rescuing flailing enterprises, write Yale SOM leadership expert Jeffrey Sonnenfeld and co-author Steven Tian.

    Mark Zuckerberg demoing Meta's augmented reality glasses
  • What Happened When Five AI Models Fact-Checked Trump

    President Donald Trump is an AI booster, write Yale SOM’s Jeffrey Sonnenfeld and co-authors Stephen Henriques and Steven Tian. So they thought it was fair to ask the leading chatbots to evaluate some of Trump’s frequently repeated claims.

    Sam Altman of OpenAI speaking at the White House