Arts/Media
Streaming Seeks a Path to Profitability
Only Netflix and Disney turn a profit from streaming. Media analyst Michael Nathanson ’90 says that streamers are turning to bundles, ads, and password crackdowns to survive the disruption and consolidation hitting the industry.
Shining a Light into the Black Box of the Art Market
The opacity of the art market benefits a tiny elite of collectors, gallerists, and artists, says Yale SOM's Magnus Resch, but makes it harder for most artists and art lovers to connect.
The Dominion Settlement Is Just the Beginning of Fox’s Nightmare
Yale SOM’s Jeffrey Sonnenfeld and Steven Tian write that the historic settlement and the revelations that preceded it have left Fox Corporation damaged and vulnerable to additional litigation.
Did Ticketmaster’s Market Dominance Fuel the Chaos for Swifties?
Taylor Swift fans scrambling for concert tickets faced endless queues and crashes on the Ticketmaster website. Yale SOM economist Florian Ederer explains the antitrust issues at play and the tradeoffs inherent in satisfying overwhelming demand.
The Reckonings Facing the Theater
The challenges of the last several years, including the upheaval of COVID-19 and the anti-racism movement that followed George Floyd’s murder, have had profound consequences for American theater. In a recent conversation with Yale SOM, three Yale alumni in the industry offered their perspectives on what comes next.
How the Streaming Wars Will Alter the Media Landscape
The scramble for subscribers has been a boon for consumers. But changes are coming as investors demand returns. We talked to analyst Michael Nathanson ’90 about what will be left when the dust settles.
Study: An Abundance of Media Fuels Polarization
Yale SOM’s Vahideh Manshadi and her co-authors built a model showing that faced with a flood of information, an individual tends to take in material that reinforces their existing beliefs.
Without a Local Newspaper, Americans Pay Less Attention to Local Politics
Prof. Michael Sinkinson and his co-authors look back at when television, not the internet, was the new technology chipping away at newspaper circulation. They find that when readership diminished, engagement with local politics did too.
The Art World in the Age of COVID
COVID created a crisis for the art world when museums, galleries, and art fairs were closed down. Is there reason for hope about what will emerge after the pandemic ends?
The Borderlessness of Tech-Driven Media
Dayo Olopade ’15, a lead for film and television partnerships at Google, discusses the global disruption of production, distribution, and consumption of media around the world.
What’s the Future of Television?
With traditional TV losing viewers to streaming services, the industry is still figuring out what its new economic model will look like.
